
It’s been a chilly, damp winter in Albuquerque, which isn’t saying much.
Still, it grates after a while, and never more so than during February, a month that is simultaneously too short and too long.
Herself has been to Costa Rica, the neighbors just fled to Mexico, and some other friends beat feet all the way to France.
And yet here I sit (no, this is not a poem, and it is specifically not that poem), rattling the bars on my window of opportunity and losing arguments with the voices in my head.
I’ve written often and at length about my irrational hatred for February, and I was getting set to do it again when I realized, “Hey, I’ve written often and at length about my irrational hatred for February. Why don’t I turn it into a podcast?”
Which I did. This is it. You’re welcome. Now hand me the snow shovel on your way out, would you? I want to smack myself in the head with it.
P L A Y R A D I O F R E E D O G P A T C H
• Editorial notes: The “Mad Dog Unleashed” column headlined “On the Road Again: Frown Lines Search for a Few Tan Lines,” which is my onion at the bottom of this bitter pot of bitch stew, first appeared in the February 2004 issue of Bicycle Retailer and Industry News. My line about February having roots in the French “febrile” is, as you may already know, complete and utter bullshit. The Cactus Cup has returned to McDowell Mountain Regional Park since that 2004 column — this year’s edition is slated for March 8-10. And finally, did you know that Peter “Sneaky Pete” Kleinow, pedal steel player for The Flying Burrito Brothers, was also a visual-effects artist and stop-motion animator who worked on “Gumby?” Neither did I.
• Technical notes: This episode was recorded with an Audio-Technica AT2035 microphone and a Zoom H5 Handy Recorder. I edited in Apple’s GarageBand on a 2014 MacBook Pro, adding audio acquired through fair means and foul via Rogue Amoeba’s Audio Hijack (no profit was taken in an admittedly casual approach to various copyrights). Speaking of which, the pedal steel riff that closes the episode is from Merle Haggard’s “White Line Fever,” as performed by The Flying Burrito Brothers on their eponymous 1971 album. The background music is “Trapped” from Zapsplat.com. And the rewind sound is courtesy of TasmanianPower at Freesound.org.





