Channel surfing

TV or not TV? In this case, it’s definitely TV.

Any of yis care to weigh in with a recommendation for a new TV that’s not insane?

I’m hunting one for the mom-in-law, who needs it for the new digs. Nothing huge, probably a 43-incher or under, and preferably a model with easily navigated menus and a remote that doesn’t look like the dashboard of the Millennium Falcon. Just your basic Ralph Spoilsport model, a personal remote-controlled, picture-sized color TV, with matching brass knobs, the kind where you reach above the bar and press the button right there under the handy laminated imitation-masonite Wild West gun rack with the look of real wood, for the channel of your choice.

We’re dealing with the elderly and feeble-minded here, which is to say me, a guy who hasn’t set up a new TV in the better part of quite some time.

Thanks for the insurrection, and now back to our morning concert of afternoon showtime favorites — the Magic Bowl movement from Symphony in C Minus by Johann Amadeus Matetsky.

Keep on the sunny side

We’ll go honky-tonkin’ ’round this town.

Anyone besides Charlie Pierce and me digging the latest Ken Burns documentary, “Country Music,” on PBS?

I’ve watched the first three episodes and my toes have been tapping throughout.

I didn’t grow up on country music, though the old man was from Florida by way of Louisiana and mom was out of Iowa. They were into crooners like Frank Sinatra and big bands like Glenn Miller and His Orchestra.

Country got me as a hippie, of all things, when the Nitty Gritty Dirt Band, Flying Burrito Brothers, New Riders of the Purple Sage, Commander Cody and His Lost Planet Airmen, and other alt-country groups were ascendant.

Those dudes get their due in Episode 6, and I can’t wait. Yeeeeeeehawwww, etc.

The doors of perception

The’ hell is that? Jon Snow lopping the noggins off wights? The Night King riding Viserion to battle like Robert Duvall in a Huey? Melisandre lighting it up? Nope. Just Maester O’Grady taking a picture of his TV in the dark.

And now, for something completely different. …

If you thought Sunday’s epic battle between the dead and living seemed a little, well, dark, even for “Game of Thrones,” you’re not alone. But before you dash out to buy a new TV, attend ye to the wisdom of Maester Devin Coldewey at TechCrunch (h/t Jason Snell at Six Colors).

Speaking of the walking dead, Matthew Butterick (h/t John Gruber at Daring Fireballhas a few words to say over the lumbering carcasses of the typographical foot soldiers employed so far by the Democratic candidates for president. The lede? It kills:

“You cannot bore people into buying your product,” according to David Ogilvy. So true. Nevertheless, election season arrives, and radical boredom inevitably becomes the preferred strategy for most candidates. Let’s have a look at the typography anyhow.

And yes, today’s headline is drawn from William Blake via Aldous Huxley and Jim Morrison.

Oscar Mayer’d again

Lights, camera, inaction!

Well, I see there’s still space on my shelf for that Oscar. Also, for the Emmy, Reuben, Pulitzer, Peabody, MacArthur Fellowship, Nobel, etc., et al., and so on and so forth.

I’ve seen just one of the Academy’s picks — “Black Panther,” which like “Wonder Woman” drew raves but to me seemed like just another superhero movie. As a comics fiend I appreciated that genre for a while, but I’m finally over it. You can paint it black or pink, but it’s still basically what Herself calls “punch porn.” Another franchise, like Mickey D’s, with about as much nutritional value.

Now, TV, that’s the thing. There’s some great stuff happening on the small screen, which these days seems bigger than the one down at the multiplex. A favorite around here is “High Maintenance.” On the surface, it’s about a bicycling weed dealer and his clientele, but there’s plenty of depth to the thing. It’s like peeking into random windows as you stroll down an unfamiliar street.

Still, there are some movies worth watching. And one of them has its roots in a TV show. We checked out the 2018 documentary “Won’t You Be My Neighbor?” this weekend and it was surprisingly revelatory and touching.

I wasn’t a “Mister Rogers’ Neighborhood” kid. “Captain Kangaroo” was my guy. I knew Mister Rogers primarily through the various sendups on “Saturday Night Live,” National Lampoon’s “That’s Not Funny, That’s Sick,” etc.

But Fred Rogers comes off looking like much more than a punchline — he seems like a thoughtful gent whose own childhood was not all that rosy and who came to believe that children’s TV had a higher calling than selling toys.