This one goes out to the Supremes, those muthas.
TGIF?

It’s Little Old Lady Day here at El Rancho Pendejo, and each of us has a vieja to wrangle.
Herself gets to take Herself the Elder out for a salon cut and perhaps some medium-light snackage. And I, as you can see, got to take Miss Mia Sopaipilla to the vet for her regular checkup.
I thought I’d scored the easy duty. But as you know, I will never be smart.
Shortly after we arrived at the vet’s another customer roared in with a pair of infernal hounds, one of whom was going full Baskerville. This did not improve Mia’s mood — she does not care for cat carriers, cars, doctors, or dogs — and by the time a vet popped round to attend to her, well, she was puffed up to about six times normal size and hissing like a vampire who was a couple quarts low.
So, instead of the simple drive-by doctoring I had been expecting, I found myself choosing between rescheduling (and perhaps sedation) or letting Miss Mia chill out for a while in the felines-only ward, to see if she might turn back into a mild-mannered elderly cat instead of Bastet with a Hulk overlay and a side of rabies. I picked Door No. 2 and headed for home.
Now I’m almost 100 percent certain that if I get all kitted up for what looks to be the last decent day for cycling before what firefighters and weatherpersons are predicting will be “at least four days of wind, dryness and hot temperatures,” why, that is when the phone will ring. It will be the vet, who will tell me that she is off to Las Vegas because it’s safer to fight fires than Miss Mia.
Looks like a hot time in the old town no matter how you slice it.
Talking shit

I stumbled across an item from the Poetry Foundation, “Haiku on Shit” by Masaoka Shiki, in my virtual wanderings and thought it a delightful departure from the daily shit monsoon, against which a parasol, a wetsuit, or a subterranean bunker are no defense.
Chop some wood, do you good
Remember, kids, when you’re smashing the State, keep a smile on your lips and a song in your heart.
R.I.P., Neal Adams

The inimitable Neal Adams has finally stepped away from the drawing board. He was 80.
Adams was, in a word, a legend. I devoured comic books from my early childhood through college, from Superman to the X-Men, the Fabulous Furry Freak Brothers to Mr. Natural, and I’d never seen anything like his art. When Adams took on a character, he nailed it.
“Yeah, that’s how [insert your hero here] is supposed to look,” I’d think. And if some other artist took over, I’d be all like, “Nope.”
Adams helped put the dark back in the Dark Knight, a.k.a. The Batman; made the Green Lantern-Green Arrow series actually worth a look (a not inconsiderable chore); and fought Frank Frazetta to a draw when it came to depicting Conan the Barbarian.
The Batman may have been his crowning achievement, but Adams didn’t limit himself to Gotham City. He drew for both DC and Marvel, tackling Deadman, the X-Men, the Avengers, Superman, even the gleefully blasphemous Son O’ God Comics for National Lampoon. He was like the Buddhist deity Avalokiteshvara, with a pen in each of his one thousand hands. And like Chickenman, he was everywhere.
He was also a pain in the ass, which as you may imagine only further endeared him to me. He worked to see that creators were treated better than Manpower temps and helped win some long-overdue recognition for “Superman” visionaries Jerry Siegel and Joe Shuster, without whom we’d all have been stuck reading “Archie” comics … another title Adams had a hand in early on.
Peace to him and to his family, friends and fans.
