Tour de Fence

~ Patrick O'Grady ~ 17 Comments
The Sandias as seen from the bottom of Elena, near the casino.

My invitation to Le Tour having gone missing in the mail, I’ve been compelled to ride my own damn bikes around and about in the Duke City.

The high side of the circuit, before dropping down to casino country and then climbing back up.

Between outings I’ve checked in with my old Live Update Guy comrade Charles Pelkey, who is sending his daughter Annika off to Iowa today. She’ll be working for Mayor Pete. No word yet on which horse Chazbo is backing.

In other news, my man Casey B. Gibson did a little surprise gallery for that Boulder-based journal of competitive whatever whose name eludes me. Seems they needed pix from road nats in Tennessee, Casey had them, and that, as they say, was that. Money even changed hands, which is always nice when one is on the job.

Another member of the tribe, Andrew Hood, is the only one of us actually on the scene in France. It being a slow day (team time trial) I joggled his elbow for old times’ sake to see what’s what. No reply yet, because The Hoodlum is a total pro — on the clock, doing the beez-a-neez, and probably not even into the rosé yet.

Meanwhile, The Guardian is doing a live update this year, and it’s not half bad. They’re kicking the shit out of Cyclingnews. I may have to pass them a few of the millions I’ve banked from my stints at Live Update Guy.

Awright, so worry awready

~ Patrick O'Grady ~ 12 Comments
This cover of The Nation from 2000 shows Mad’s staying power.

Ecch! Potrzebie! Mad magazine is taking the scenic route to the furshlugginer boneyard.

I spent a lot of time with Mad and its army of funnymen: Harvey Kurtzman, Don Martin, Wally Wood, Will Elder, Mort Drucker, Jack Davis, Sergio Aragonés, and the rest of The Usual Gang of Idiots. And I wasn’t their only fan.

Here’s a superhero Marvel hasn’t wiped its corporate arse with … yet.

In “Comix: A History of Comic Books in America,” Les Daniels called Mad “one of the most popular and influential mass circulation magazines in the country,” adding: “Along with Hugh Hefner’s sexy Playboy, it was one of the only two magazines produced in the Fifties that were successful innovations (excepting, of course, the reader service of TV Guide).”

In mourning the demise of “a true American original” on this Fourth of July 2019, contributor Tom Richmond wrote: “In the end in this day and age, the only reason anything is allowed to exist comes down to money. If something is profitable, it continues. If it is not, it ends. Mad is ending for the same reason anything ends … it’s all about the Benjamins.”

I gave Mad my Benjamins — OK, so maybe they were more like Washingtons — and oy, did it ever influence me. Mad led me down a twisted, anarchic path to Woody Allen, Mel Brooks, The Firesign Theatre, Zap Comics, The National Lampoon, and Monty Python, among others.

It was a trip worth taking, so much so that I’m still on it.

Poit. Sklishk. Sploydoing.

Sergio Aragonés had a go at cycling.