I stumbled across an item from the Poetry Foundation, “Haiku on Shit” by Masaoka Shiki, in my virtual wanderings and thought it a delightful departure from the daily shit monsoon, against which a parasol, a wetsuit, or a subterranean bunker are no defense.
The inimitable Neal Adams has finally stepped away from the drawing board. He was 80.
Adams was, in a word, a legend. I devoured comic books from my early childhood through college, from Superman to the X-Men, the Fabulous Furry Freak Brothers to Mr. Natural, and I’d never seen anything like his art. When Adams took on a character, he nailed it.
“Yeah, that’s how [insert your hero here] is supposed to look,” I’d think. And if some other artist took over, I’d be all like, “Nope.”
Adams helped put the dark back in the Dark Knight, a.k.a. The Batman; made the Green Lantern-Green Arrow series actually worth a look (a not inconsiderable chore); and fought Frank Frazetta to a draw when it came to depicting Conan the Barbarian.
The Batman may have been his crowning achievement, but Adams didn’t limit himself to Gotham City. He drew for both DC and Marvel, tackling Deadman, the X-Men, the Avengers, Superman, even the gleefully blasphemous Son O’ God Comics for National Lampoon. He was like the Buddhist deity Avalokiteshvara, with a pen in each of his one thousand hands. And like Chickenman, he was everywhere.
He was also a pain in the ass, which as you may imagine only further endeared him to me. He worked to see that creators were treated better than Manpower temps and helped win some long-overdue recognition for “Superman” visionaries Jerry Siegel and Joe Shuster, without whom we’d all have been stuck reading “Archie” comics … another title Adams had a hand in early on.
Peace to him and to his family, friends and fans.
On Saturday I was making breakfast and mulling over Ken Layne’s latest Desert Oracle podcast when I smelled something burning.
The Wirecutter boyos say you can’t buy a proper toaster anymore, whether you spend a lot or a little, and I believe them. If I don’t keep an eye on and make adjustments to this cheapo Cuisinart what I wind up with is either lightly dried bread or a blackened slab that looks like a smoking shake shingle from a lightning-fried cabin.
A little thing, to be sure. Hardly the foundation for a thumbsucker The New Yorker might buy. And never mind writing about it — simply thinking about it may be a red flag, or so posits the Desert Oracle:
If you don’t have any sense of mission or destiny, or religious faith, or really any sort of sustainable lifetime philosophy, then the small stuff is all you can think about. Because no matter where you are in life, at one time or another you are going to have all the usual problems: health, money, sorrow, disgust, anger, gum disease, athlete’s foot, too much house or none at all. Your dog either up and died or it’s neurotic and full of hate and will outlive you by decades. Everybody’s out to get you or nobody pays any attention at all. The entirety of modern technological society has brushed away and marginalized the personal practice of philosophy. So we lose the plot while we’re in it. It’s like one of those Disney “Star Wars” movies.
I’ve had all of these problems, except being outlived by dogs. And that rough beast is bound to come slouching around one of these days, because Herself wants one, even more than she wants properly toasted bread in the mornings, slathered with Irish butter and French spread.
Maybe I should relocate to one of Jimmy Buffett’s Margaritaville-branded “active-living communities,” a paradise for Parrotheads, which is a philosophy of sorts, maybe even a religion.
I had a brief Buffett period, and still enjoy his early works, like “He Went to Paris,” “Cuban Crime of Passion,” and “Death of an Unpopular Poet.” He may have foreshadowed his future as a geezer miner with the lyrics to “I Have Found Me a Home”:
And I have found me a home
Yes, I have found me a home
And you can have the rest of everything I own
’Cause I have found me a home.
That song and the rest of my best-of-Buffett list are from his 1973 breakout album, “A White Sport Coat and a Pink Crustacean,” which features, among others, Steve Goodman on acoustic lead guitar, Vassar Clements on fiddle, and Thomas McGuane on liner notes (“We are beset by the quack minstrels of a non-existent America, bayed at by the children of retired orthodontists about ‘hard times’ and just generally depleted by all the clown biographies and ersatz subject matter of the drugs-and-country insurgence that is replacing an earlier song mafia,” and if that isn’t vintage Captain Berserko I’m a Daytona Beach Realtor.).
The folks who live in Buffett’s beach-bum burgs out there in Disney country certainly seem to have a philosophy that works for them. In his New Yorker piece Nick Paumgarten quotes Stuart Schultz, Latitude Margaritaville’s head of residential community relations (and a former summer-camp director), as saying that living in a Margaritaville property is “like being in college, but with money and without having to study. You have a great dorm room, you never have to go to class, and there’s always a party.”
Hm. I dunno. An earlier version of me never went to class but took in many a party, so I feel like I’ve done my time in that dorm room. And like the toast from my Cuisinart I have the scorch marks to show for it.
It’d probably be smarter to stay put. Get a philosophy. And maybe a dog.
One of Robert A. Heinlein’s lesser-known (and mildly creepy) novels, “The Door into Summer,” takes its name from the protagonist’s snow-phobic cat, who is forever looking for same.
We have one of those, too. Miss Mia Sopaipilla has never been an outside cat — she tours the yard on a harness now and again — but she does love a nice sunny indoor spot on a cool April morning. And after she’s had a nibble, a nap, and another nibble, she insists that I escort her to one with all possible haste.
Thing is, Miss Mia is almost always a few steps ahead of the sun, which doesn’t really give us much love until around 9 a.m. this time of year. So we have to visit the living room, the spare bedroom, and the master bedroom to take sun samples until, like Goldilocks, she finds the spot that’s just right.
Zoom, off we go for another circuit of Old Sol. Here’s hoping it’s not the bell lap. If it is, I don’t think I’m gonna finish in the money.
The birthday bash was low-key. A couple of phone calls and texts, a few choruses of “Happy Birthday,” and a great big ol’ green chile cheeseburger with bacon, white cheddar, and fries at the Range Cafe. This is something I’d never cook for myself, so yay, etc.
Herself, knowing my history with comics, scored me the collected “Watchmen,” by Alan Moore, Dave Gibbons, and John Higgins. I was a superhero fiend early on, starting with DC and moving on to Marvel, then diverted to the underground comics for some years before losing track of the medium for an extended period.
When “Watchmen” came along in the mid-Eighties I was into changing newspapers like underwear and racing bicycles, and never heard a peep about it. I found Zack Snyder’s movie incomprehensible — Terry Gilliam had been tapped to direct but deemed the comic “unfilmable” and bailed — but I loved the HBO miniseries, so I’m looking forward to examining the original source material.
Got the 68-minute bike ride in on the trails around Elena Gallegos Open Space, and was lucky to escape unscathed for another lap of the sun. It looked like the Big I at the cocktail hour on Friday, is what.
Of course, back when I was still a man, instead of whatever it is that I am now, I would’ve ridden my age in miles, not minutes. But the rides were shorter then, and didn’t burn quite so much daylight.
Hell, I didn’t get my burger on until 2 in the peeyem as it was. If I’da gone for 68 miles I’da been having it for breakfast this morning.
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