Time travel

Truckin’, like the doo-dah man.

• Editor’s note: It’s a gray, gloomy day here at El Rancho Pendejo, and Hal Walter’s road-trip tale has put me in mind of my own meditation from the spring of 2000, when the vile Crusty County weather had me thinking about snorting that long white line to wherever.

“I have been buggered to near death by the clock.” — Jim Harrison in “The Beige Dolorosa,” from the novella collection “Julip”

“How do I shut this alarm off?” my wife asked some years back. Her sports watch was cheeping incessantly, like a baby bird in a sack of crack.

“Like this,” I replied, snatching the watch from her, placing it on the kitchen floor and pounding it into a flattened silence with a claw hammer. We both laughed, but warily; killing time just isn’t that easy.

Still, when you see time limping along like it does in a snowbound April in the Colorado mountains, scraping the slush off its boots on the welcome mat of spring, there arises a murderous desire to put it out of its misery. So Shannon has begun hiding the hammers as I glare at the clock, as if I could will its crawling hands into picking up the pace, spinning me up some sunshine.

• • •

“We’re going to be late,” I warned my friends Hal and Mary as we dawdled first over stout, then over coffee, in a succession of Bibleburg bistros. It was my 46th birthday, and we were headed to Colorado College for a poetry reading by one of my favorite authors, Jim Harrison. Harrison seems the sort to bark at nitwits who interrupt his work, and I wanted his autograph, not his antipathy.

Jim Harrison laid his Jim Hancock on my copy of “Warlock,” though it was not among his favorite works.

As it turned out, we were right on time, and Harrison was late. A student of Zen Buddhism with his own temporal compulsions, Harrison announced: “I’m not a long reader. This will be exactly 52 minutes.” A koan for a birthday present.

Frankly, I’d have settled for a little less light and a little more warmth. Spring brings Colorado the heavy snows that we used to get in winter like everybody else, and the way my mental batteries were running down under the gray-flannel skies had me convinced that I was solar-powered.

My last escape attempt, a mid-March road trip to a cycling festival in California, was too short and not nearly sweet enough. I’ve been contemplating another to someplace where the locals’ knowledge of snow is limited to what they’ve been able to glean from the Encyclopedia Britannica, but you can’t pilot a Toyota truck to the Virgin Islands, not even in four-wheel drive.

And then there’s the expense. The rising price of gasoline aside, it’s not always possible or desirable to sleep in a pickup, which lacks certain amenities — like a toilet, shower, sink, stove, furnace and elbow room, especially when the camper shell is stuffed fore to aft with a bicycle, a cooler full of beer and a day pack crammed with computer gear and drawing tools.

Even if you pack camping gear and spend your nights outside the truck, you’re doomed to an occasional Motel 666 if for no other reason than hygiene, an impulse that will cost you anywhere from $30 to $60 a pop, depending upon your ZIP code at the time.

So lately I’ve been eyeballing used RVs and wondering whether I’m old enough to own one. This is not unlike like cigar-smoking; you have to be of a certain age to pull it off without looking ridiculous.

Too, as a cyclist who has played mirror-tag with many a blue-haired land-yacht captain over the years, the notion leaves me feeling a little like a Lakota warrior applying to join Custer’s 7th Cavalry.

And the entry fee for the RV lifestyle is a high curb to hop — even an elderly, smallish Toyota RV can run from five to ten large, while free-lance cycling journalism pays on the small side.

• • • 

In the essay “Going Places,” from his collection “Just Before Dark,” Harrison advises: “Do not scorn day trips. You can use them to avoid nervous collapse.” So with a light snow falling and the promise of more on the way, I jumped into my ’83 Toyota 4WD and headed north to talk to a guy who had a used, slide-in, pop-up camper for sale.

As I bounced crazily down our steep, corrugated goat path to the county road — this truck, which under a previous owner carried a camper, has springs apparently salvaged from a buckboard — I realized I’d forgotten my watch. A moment of dismay, then satori; I had more than enough time to make the noon appointment, and there was nothing of pressing urgency requiring a timepiece, so screw it.

So, after checking out the camper — affordable and nicely minimalist, with a cabover bed, a small sink and stove, a pedestal table and bench, and a furnace — I spent the afternoon idling around downtown Bibleburg, where it was not snowing, the roads were paved, and distractions were available in variety.

Drank a pint of Guinness and ate a burger in Jack Quinn’s; looked for Harrison books in the cavernous used-book store Gateways; sipped a tall Americano in a Starbucks staffed by two pleasant young women chattering away like magpies. Then I took my sweet time getting home, and not just because I was following a snowplow and an 18-wheeler up a slushy Hardscrabble Cañon.

Again, Harrison, in “The Beige Dolorosa” from “Julip”: “The clock is the weapon with which we butcher our lives.”

The character who writes this line on an index card — an academic rebelling against the tyranny of the clock as he comes to terms with a vastly altered life — then wraps his watch around the cord of his Big Ben electric clock and dangles both in the toilet, flushing and laughing.

He continues: “The damnable watch still worked. I put it on the floor, stepped up on the toilet seat and jumped, smashing the watch to bits. It occurred to me that I was getting a little excitable, so I took the remnants of the two timepieces outside and peed on them to complete the scene appropriately. I reached back in the cabin and turned off the light, the better to see the stars. They were so dense they made the sky look flossy, almost a fog of stars which had drawn infinitely closer to me than ever before, as if my destruction of time had made me a friendlier object for their indeterminate powers.”

Smash your watches. Pee on your clocks. Go look at the stars.

Double dumbstruck

Gassing up for the long commute.

“This heat’s not good for the brain. Turns out nothing much is good for the brain in the 2020s. TV rots it, the Internet turns it to jelly, the miserable climate bakes it, 90 percent of what we call ‘work’ is deliberately designed to actually erase the human brain; this has been proven. Podcasts: Now there’s a guaranteed way to reverse years of book-learning and social skills. There’s online gambling, TikTok … and then Queen Elizabeth II passed away and it was like a Bat-Signal in the sky to make everybody go extra double-dumb. … Only in Ireland did they seem to sort of be enjoying it all.” — Ken Layne, “Like a Hurricane,” Desert Oracle Radio

You said a mouthful, brother.

The news has been so relentlessly grotesque that I found myself double-dumbstruck, which is to say rendered speechless by astonishment while simultaneously catching a puck in the gob from a wildly flailing eejit.

The prospect of commenting on any of our ongoing Dumpster fires felt like pissing into the drinking water in Jackson, Mississippi — an enhancement, to be sure, but not a solution any sane person would swallow.

So I kept it zipped. Averted my eyes. Instead I watched the hummingbirds mobbing our feeders; the little buzzbombs will be leaving us shortly. Played with Miss Mia Sopaipilla, who remains extraordinarily kittenish for a 15-year-old cat. Rode the bike(s) — 130 miles last week, 140 this week.

With “Better Call Saul” in the rear view we branched out a bit in our evening TV-watching. I can recommend “Letterkenny,” (absurdly funny Canadians); “This Fool” (snarky South Central working-class vatos); “Belfast” (The Troubles through a child’s eyes); and “The Sandman,” derived, like “Watchmen,” from a high-gloss DC comic of which I had been ignorant.

• Honorable mention: “Funny Pages,” a bent coming-of-age story about a teenage cartoonist who gets an up-close-and-personal look at the subterranean bits of “underground comics.” Could be straight out of “Zap,” “Bijou,” or pretty much any other comic you read back when weed was still illegal. And yes, Your Humble Narrator recognized more than a few unsavory aspects of himself in this film.

What about literature, you ask? Check out a couple road-trippers on the ragged edge: the cabbie Lou in Lee Durkee’s “The Last Taxi Driver,” and the shaggy mercenary Will Bear in Dan Chaon’s “Sleepwalk.”

• Honorable mentions: “Night of the Living Rez” by Morgan Talty (his first book; dark tales of a Native community in Maine) and “Homesickness” by Colin Barrett (his second; darkly funny tales of the Irish at home and abroad).

If none of these diversions from the daily disaster does the trick for you, find a hummingbird to watch or a cat to play with.

R.I.P., Barbara Ehrenreich

She took what they were giving ’cause she was working for a living.

Barbara Ehrenreich, the journalist, activist, and author who never lost touch with her working-class roots, has clocked out. She was 81.

Her New York Times obit draws from the introduction to “Nickel and Dimed: On (Not) Getting By in America,” in which she recounts wondering with a magazine editor how the unskilled survive on the wages paid them and then blurting out something that she “had many opportunities to regret: ‘Someone ought to do the old-fashioned kind of journalism — you know, go out there and try it for themselves.'”

Which is exactly what Ehrenreich did, of course, working and living as a waitress, hotel maid, nursing-home aide, and Walmart “associate,” among other things. Then she came back and told us all about it.

And though she would be writing it up, she wasn’t phoning it in:

People knew me as a waitress, a cleaning person, a nursing home aide, or a retail clerk not because I acted like one but because that’s what I was, at least for the time I was with them. In every job, in every place I lived, the work absorbed all my energy and much of my intellect. I wasn’t kidding around. Even though I suspected from the start that the mathematics of wages and rents were working against me, I made a mighty effort to succeed.

She was not, and is not, alone. And in her Evaluation at the end of the book, Ehrenreich proposed that those of us who live in comfort while others barely scrape by should feel not just guilt, but shame.

When someone works for less pay than she can live on — when, for example, she goes hungry so that you can eat more cheaply and conveniently — then she has made a great sacrifice for you, she has made you a gift of some part of her abilities, her health, and her life.

What a gift was Ehrenreich’s life. Peace unto her, her family, friends, and readers.

Talking shit

A samurai in a latrine; outside, his three attendants hold their noses. Coloured woodcut by Hokusai, 1834. Credit: Wellcome Collection. Attribution 4.0 International (CC BY 4.0).

I stumbled across an item from the Poetry Foundation, “Haiku on Shit” by Masaoka Shiki, in my virtual wanderings and thought it a delightful departure from the daily shit monsoon, against which a parasol, a wetsuit, or a subterranean bunker are no defense.

R.I.P., Neal Adams

The Batman got a chance to feel what it was like to be me in 1969. From “The Secret of the Waiting Graves,” drawn by Neal Adams and Dick Giordano, story by Denny O’Neil, © 1969 National Periodical Publications, Inc.

The inimitable Neal Adams has finally stepped away from the drawing board. He was 80.

Adams was, in a word, a legend. I devoured comic books from my early childhood through college, from Superman to the X-Men, the Fabulous Furry Freak Brothers to Mr. Natural, and I’d never seen anything like his art. When Adams took on a character, he nailed it.

“Yeah, that’s how [insert your hero here] is supposed to look,” I’d think. And if some other artist took over, I’d be all like, “Nope.”

Adams helped put the dark back in the Dark Knight, a.k.a. The Batman; made the Green Lantern-Green Arrow series actually worth a look (a not inconsiderable chore); and fought Frank Frazetta to a draw when it came to depicting Conan the Barbarian.

The Batman may have been his crowning achievement, but Adams didn’t limit himself to Gotham City. He drew for both DC and Marvel, tackling Deadman, the X-Men, the Avengers, Superman, even the gleefully blasphemous Son O’ God Comics for National Lampoon. He was like the Buddhist deity Avalokiteshvara, with a pen in each of his one thousand hands. And like Chickenman, he was everywhere.

He was also a pain in the ass, which as you may imagine only further endeared him to me. He worked to see that creators were treated better than Manpower temps and helped win some long-overdue recognition for “Superman” visionaries Jerry Siegel and Joe Shuster, without whom we’d all have been stuck reading “Archie” comics … another title Adams had a hand in early on.

Peace to him and to his family, friends and fans.