I don’t know much about ART, but. …

The Fabulous Furry Freak Brothers never went electric, but they sure as shit knew their buses. Freak Bros. © forever by Gilbert Shelton

… I know what I don’t like.

Somebody — multiple somebodies, actually — has intercoursed the penguin in dramatic fashion as regards the Albuquerque Rapid Transit (ART) project, which already had all the positive press of a buddy flick called “Hey, Look At My Dick!”, starring Louis C.K. and Harvey Weinstein, directed by Roman Polanski from a script by Woody Allen.

Seriously, how do you fuck up a nine-mile bus line? And the nine miles of retail that goes with it? That takes real talent. I expect these people to go far, and probably soon, too, before the angry mobs kick down their doors.

• Late update: And meanwhile, as expected here at the Duke City Chuckle Hut, the ACLU comes after Albuquerque for its thickheaded, ham-handed anti-panhandling ordinance. Defending this attempt to keep Those People away from the tony real estate is another budget item we could have done without.

Office spaced

Hemingway sent cables; I just hook 'em up.
Hemingway sent cables; I just hook ’em up.

Now and again I am reminded that shit doesn’t just happen.

I was grumbling the other day that the iCrap-crazed Cloudniks at Apple no longer give a damn about modular, upgradeable desktop systems and the power users who love them, probably because I have spent far too much time staring at a desk that is topped by a veritable clusterfuck of computer hardware — a 15-inch mid-2014 MacBook Pro cabled to an OWC Thunderbolt 2 dock and thence to a Dell 27-inch monitor, a RAID array plus a couple other storage drives, an Apple SuperDrive and a cheap set of Logitech speakers that really need to go because they have all the sonic excellence of a 1965 GE P-1810A transistor radio.

Then I read this, and this, and I think I’m finally starting to get a feel for why Tim Cook is all like: “Fuck those bitches and their desktops. Whatsisname down in the basement is tasked with that project and if we have to we’ll trot him out and show the world what people who give a shit about desktop computers look like. Dude makes the stapler guy from ‘Office Space’ look like Michael Fassbender.”

Creative class warfare

The Turk' enjoyed some backyard time while I cleaned a bike in honor of the summer solstice.
The Turk’ enjoyed some backyard time while I cleaned a bike in honor of the summer solstice.

Summertime, and the livin’ is easy. Just ask the Turk’, who enjoyed a little outside time in the Mad Dog Media Botanical Gardens, a.k.a. “Weedpatch,” as I washed a bike in honor of the solstice.

Shortly thereafter it began raining off and on, with thunder for flavor, and the feline outings, bicycle riding and Old North End Garage Sale took back seats to working and earning.

Speaking of which, I can see I’ve been going about the latter activities all wrong. Clarity is so 15 minutes ago. If a guy could only learn to deploy with a straight face semantically null phrases such as “further leverage,” “cultural and creative assets,” “place of choice,” “launching new ideas” and “preserving our rich cultural heritage,” why, People of Money would write us fat checks for doing absolutely nothing beyond talking authoritatively and incomprehensibly out of our asses.

Toward that end I’m pleased to announce the formation of the Caramillo Street Collective for Creative Obfuscation, whose sole purpose it shall be to talk shit for money. I know, that sounds an awful lot like what I already do, but trust me, this is a radical departure from business as usual at Chez Dog. It’s a means of further leveraging my cultural and creative assets from my place of choice to launch new ideas that preserve my rich cultural heritage.

Somebody owes me $20K now.

• Speaking of talking shit: Here’s Timothy Noah on the ethics of dog-crap disposal.

Free tea! (Bring your own bag, cup and water)

Tea Party
`I didn’t know it was YOUR table,’ said Alice; `it’s laid for a great many more than three.’

The smart money says that the GOTea is poised to make big gains in the midterm elections, extending its pallid, liver-spotted grip on the U.S. House and perhaps retaking control of the Senate.

“What the hell?” you may think. “They’re all the same anyway, Donks and Pachyderms. Opposite sides of the same wooden nickel. How bad could it be?”

Well, we here in Bibleburg have been test-driving this brand of Gadsden-flag, live-free-or-die governance for you for as long as I can remember (my family moved here in 1967). And here’s what you get for your low-taxation, no-representation dollar:

• An unaddressed backlog of $1.3 billion in capital needs. Whether this figure includes repairing or replacing the burnt-up, 80-year-old Martin Drake Power Plant, which provides a third of Bibleburg’s power, is not clear.

A “jobs-creation program” centered on tourist attraction that boils down to “there’ll be pie in the sky.” Not one of the visitors we’ve had at The House Back East® has expressed a desire to visit a downtown stadium, a sports medicine center, an Olympic museum, or an Air Force Academy visitors center (other than the one that already exists, on the base). They want to see the Garden of the Gods, Pikes Peak, Manitou Springs — in other words, the things that are already here which we have yet to fuck up. And be certain to check the numbers for jobs, salaries and operating deficits from our other stadium/entertainment venues, the World Arena and the Pikes Peak Center.

Plummeting home sales, and home-sale prices. For some reason, people seem uninterested in moving to communities that lack jobs, electricity and other must-have items.

We hate that out-of-control federal government’s spending, but gyrate like a speed-freak pole dancer for every freedom-killing dollar it stuffs in our threadbare G-string. We despise taxes, but demand services. We insist on Christmas 24/7, free of charge and taxation, but if anybody wearing a red suit climbs down our chimney we’ll blow him right back up it with our AR-15.

Take a good, long look, folks. America’s future is Bibleburg’s present.