MAGA, etc., et al., and so on and so forth. I’d speculate as to whether Art O. DeDeal is trying to croak the bike biz because of the relentless roasting I’ve given him, but he doesn’t know Schwinn from Shinola.
He apparently wants everyone else to lose money the way he did.
OK, so I’m just spitballing here, but what if we got these really long extension cords. …
Huh. “Problems plague push for electric buses.” Imagine my surprise. The phrase “One hand washes the other” was coined by some poor sap who discovered the hard way that giving a handjob with one mitt while grabbing a sheaf of greenbacks with the other can be a very messy business indeed.
Maybe some enterprising sort can just airdrop a shit-ton of Bird scooters on LA and Albuquerque. Save a bunch of money, create jobs for chargers, and give the locals a new reason to be shooting each other all the time.
Somebody — multiple somebodies, actually — has intercoursed the penguin in dramatic fashion as regards the Albuquerque Rapid Transit (ART) project, which already had all the positive press of a buddy flick called “Hey, Look At My Dick!”, starring Louis C.K. and Harvey Weinstein, directed by Roman Polanski from a script by Woody Allen.
Seriously, how do you fuck up a nine-mile bus line? And the nine miles of retail that goes with it? That takes real talent. I expect these people to go far, and probably soon, too, before the angry mobs kick down their doors.
• Late update: And meanwhile, as expected here at the Duke City Chuckle Hut, the ACLU comes after Albuquerque for its thickheaded, ham-handed anti-panhandling ordinance. Defending this attempt to keep Those People away from the tony real estate is another budget item we could have done without.
Now and again I am reminded that shit doesn’t just happen.
I was grumbling the other day that the iCrap-crazed Cloudniks at Apple no longer give a damn about modular, upgradeable desktop systems and the power users who love them, probably because I have spent far too much time staring at a desk that is topped by a veritable clusterfuck of computer hardware — a 15-inch mid-2014 MacBook Pro cabled to an OWC Thunderbolt 2 dock and thence to a Dell 27-inch monitor, a RAID array plus a couple other storage drives, an Apple SuperDrive and a cheap set of Logitech speakers that really need to go because they have all the sonic excellence of a 1965 GE P-1810A transistor radio.
Then I read this, and this, and I think I’m finally starting to get a feel for why Tim Cook is all like: “Fuck those bitches and their desktops. Whatsisname down in the basement is tasked with that project and if we have to we’ll trot him out and show the world what people who give a shit about desktop computers look like. Dude makes the stapler guy from ‘Office Space’ look like Michael Fassbender.”
The Turk’ enjoyed some backyard time while I cleaned a bike in honor of the summer solstice.
Summertime, and the livin’ is easy. Just ask the Turk’, who enjoyed a little outside time in the Mad Dog Media Botanical Gardens, a.k.a. “Weedpatch,” as I washed a bike in honor of the solstice.
Shortly thereafter it began raining off and on, with thunder for flavor, and the feline outings, bicycle riding and Old North End Garage Sale took back seats to working and earning.
Speaking of which, I can see I’ve been going about the latter activities all wrong. Clarity is so 15 minutes ago. If a guy could only learn to deploy with a straight face semantically null phrases such as “further leverage,” “cultural and creative assets,” “place of choice,” “launching new ideas” and “preserving our rich cultural heritage,” why, People of Money would write us fat checks for doing absolutely nothing beyond talking authoritatively and incomprehensibly out of our asses.
Toward that end I’m pleased to announce the formation of the Caramillo Street Collective for Creative Obfuscation, whose sole purpose it shall be to talk shit for money. I know, that sounds an awful lot like what I already do, but trust me, this is a radical departure from business as usual at Chez Dog. It’s a means of further leveraging my cultural and creative assets from my place of choice to launch new ideas that preserve my rich cultural heritage.